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This is low-pass filter sweeping. It is a critical element of making acid, in the parlance of electronic music. What happens is you route the envelope generator to the low pass filter, set the envelope generator to a short attack and a longer decay, and manipulate the low pass filter manually. Cranknig Cranking the resonance on the low pass filter makes the sweeping scream.

Here is a demo of the TB303 showing it's trademark patterns and filter sweeping being controlled manually.

This is low-pass filter sweeping. It is a critical element of making acid, in the parlance of electronic music. What happens is you route the envelope generator to the low pass filter, set the envelope generator to a short attack and a longer decay, and manipulate the low pass filter manually. Cranknig the resonance on the low pass filter makes the sweeping scream.

Here is a demo of the TB303 showing it's trademark patterns and filter sweeping being controlled manually.

This is low-pass filter sweeping. It is a critical element of making acid, in the parlance of electronic music. What happens is you route the envelope generator to the low pass filter, set the envelope generator to a short attack and a longer decay, and manipulate the low pass filter manually. Cranking the resonance on the low pass filter makes the sweeping scream.

Here is a demo of the TB303 showing it's trademark patterns and filter sweeping being controlled manually.

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This is low-pass filter sweeping. It is a critical element of making acid, in the parlance of electronic music. What happens is you route the envelope generator to the low pass filter, set the envelope generator to a short attack and a longer decay, and manipulate the low pass filter manually. Cranknig the resonance on the low pass filter makes the sweeping scream.

Here is a demo of the TB303 showing it's trademark patterns and filter sweeping being controlled manually.