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I found one article that might be promising. I accessed it through the online database Academic Search Premier, through my University library.
Citation:
Beaster-Jones, Jayson. “A.R. Rahman and the Aesthetic Transformation
of Indian Film Scores.” South Asian Popular Culture, vol. 15, no. 2/3,
July 2017, pp. 155–171. EBSCOhost, doi:10.1080/14746689.2017....
1
This is one more stanza (source):
Yeh jindgi bhi bahar hai,
sajde me unke yaar hai
Do din to hamse mil gaye,
dil ko yahi karar hai
Some more lines are given here:
kal khel me hum ho na ho gardish me tare rahenge sada (2)
bhuloge ke tum, bhulenge vo
par hum tumhare rahenge sada
rahenge yahi apne nisha, iske siva jana kahan
ji chahe jab humko aawaz do
hum ...
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