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I found one article that might be promising. I accessed it through the online database Academic Search Premier, through my University library. Citation: Beaster-Jones, Jayson. “A.R. Rahman and the Aesthetic Transformation of Indian Film Scores.” South Asian Popular Culture, vol. 15, no. 2/3, July 2017, pp. 155–171. EBSCOhost, doi:10.1080/14746689.2017....


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This is one more stanza (source): Yeh jindgi bhi bahar hai, sajde me unke yaar hai Do din to hamse mil gaye, dil ko yahi karar hai Some more lines are given here: kal khel me hum ho na ho gardish me tare rahenge sada (2) bhuloge ke tum, bhulenge vo par hum tumhare rahenge sada rahenge yahi apne nisha, iske siva jana kahan ji chahe jab humko aawaz do hum ...


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