This pattern comes from a fanfare often used at the end of a musical performance called "Shave and a Haircut- Two Bits"
I found this reference to it on Wikipedia: In music, the call "Shave and a Haircut" and the associated response "two bits" is a simple, 7-note musical couplet, riff or fanfare popularly used at the end of a musical performance, usually for ...
Not totally authoritative, but compare for yourself
I did a quick edit/overlay for comparison.
I'd say it's close enough to be sure they are the same.
Short snippet, with 4 repeats of the phrase… in this order…
original record; with movie soundtrack overdubbed; movie on its own; original record
I didn't go to the extreme ...
There's a Wikipedia page on this riff which is called "Shave and a Haircut". One of the earliest uses was in a 1899 song by Charles Hale: "At a Darktown Cakewalk", although it was used in other songs at that time, and has be used very often since then.
Since it was originally used in the 19th Century it's highly unlikely there could be any copyright claim on ...
This can be tough, especially since you only have a recording of the song.
If you know someone with an iPhone, you can ask Siri to try to identify the song
You can download the app Shazam and use it to identify the song, though I'm not sure you can play audio off your phone and run the app at the same time. You can try singing/humming the tune with Shazam ...
Main theme from the TV show LOST
The music is from the main theme* of the TV show LOST. This main theme from the show is heard often throughout the show. It's heard, for example, in the track "Life & Death" from the LOST Official Soundtrack (it's especially clear that they're the same at 3 minutes into the video).
This song is called "Palabras." It is by Emanuel Hovaghimian, and was developed specially for the Russian cellphone company "Beeline," which sells it as a "answer waiting" music for cellphones. That's why it is not readily available in open resources. Fortunately it can now be heard here: https://www.youtube.com/watch?v=AjtDBB4SrNw
I can't tell you the recordings or performers, but I recognize the chants.
The first is the incipit (beginning) of the Introit Roráte caeli de super, "Drop down, ye heavens, from above" (Isaiah 45:8), sung during the pre-Christmas season.
The second sounds like a mash of two samples. I can't make out the first ("oooh"), but the second ("aaah") is a clip ...
Well, luckily, someone posted an explanation in the comments section of the video "Serial Experiments Lain - Cloudy with Occasional Rain," so go visit it. - https://youtu.be/1TunrW7dRr0
"... the vocal is a prayer to the Hindu goddess Lakshmi.
"Prasanna Vadanaam. Saubhaagyadaam Bhaagyadaam. Hastaabhyaam Abhayapradaam. Maniganai naa naavidhai Bhuushhitaam".
The wikipedia page for the Diablo II soundtrack indicates that the voices come from "Heart of Asia, Heart of Africa and Symphony of Voices" by Spectrasonics
A little more looking finds:
Heart of Asia
Heart of Africa 1
Heart of Africa 2
Symphony of Voices
Those pages list some of the sample sources, although to match specifically what is used in those ...
In the Netherlands a comical music group, called The Cocktail Trio, had a hit in 1965 with a song about a flea circus. Ultimately a flea makes the biggest jump ever to the moon. The song ends with the "Shave and a haircut... two bits" riff with the Dutch line "Die zien we nooit meer... terug" wich translates as "We'll never see him... again". Everybody in ...
Based on information on whosampled.com
and this music website - (as translated by Google)
Dr. Peacock and Sefa's "This life is lost" samples a piano melody by Ludovico Einaudi, called Una Matina, from the 2004 recording of the same name.
maybe that's the connection ?
This is a circle of fifths progression --one of the most common of all chord progressions in both classical and popular music.
It comes up particularly often in Bach --for instance, here in the Brandenburg Concerto No. 2 in F major, BWV 1047, I. Allegro.
Maybe Urge Overkill's cover of Girl You'll Be a Woman Soon?
Just after he says "Girl", you'll have a similar but slower riff, with the same kind of guitar effects.
The song Atomic was released in 1979, and Urge Overkill's Girl You'll Be a Woman Soon in 1994. Unofficial sources suggest that Atomic riff is inspired by Neil Diamond original Girl You'll Be a ...
It is more likely that it is Tim McGraw's delivery which is confusing you.
Rolling Stone refers to McGraw's "croon[ing] the brooding hook" (https://www.rollingstone.com/music/music-country-lists/a-history-of-hick-hop-the-27-year-old-story-of-country-rap-22010/nellys-over-and-over-september-2004-225624/) which contrasts Kelly's hip-hop.
It seems to me that they took a sample from the movie Virus (1999).
First at 3:26 of your link, it starts with this.
Then, you can watch the whole scene here. They extracted the computer voice, switch some parts then accelerate it.
To me it says approximately :
SPECIES DESTRUCTIVE TO THE HARMFUL OF BODY NOXIOUS.
I found it!
Artist: Rosetta Stone
Album: The Tyranny of Inaction.Revised Edition 1.1
According to at least five different transcriptions I found on Google, this is from the opening scene of the 1994 movie The Crow. From what I understand from reading the transcripts (I've never seen the movie):
What this place needs is a good natural catastrophe. Earthquake, tornado, maybe a flood, like in the Bible.
is said by the character Mickey, a ...
After a bit of research, I'm pretty sure the sample is from a Spectrasonics commercial sample library, probably Heart of Africa or Symphony of Voices.
A YouTube comment for one of the other Blizzard soundtracks mentioned that they used Spectrasonic's samples a lot, and I recognized one of the samples from their Bizarre Guitar collection as being used in ...
The music credit for "Incantation" is to Canadian composer Benoit Jutras http://www.cirquefascination.com/?p=2417 http://benoitjutras.com/.
The Warcraft 3 soundtrack is credited to Derek Duke, Glenn Stafford, Tracy W. Bush and Jason Hayes http://wow.gamepedia.com/Reign_of_Chaos_Soundtrack.
I think your two examples are two separate pieces of music. Both ...