11

First guitarist was possibly Jimmie Webster, who made recordings in the 1950s using a two-handed tapping method he described in 'Touch Method for Electric and Amplified Spanish Guitar', published in 1952. George Lynch, from the bands Dokken and Lynch Mob, has claimed that George Van Eps used tapping in the 1950s as well. As far as Rock goes, the earliest ...


7

There is no one technical reason for this, but there are some things that deal with the technology/requirements of the time when whole song fade outs were more popular. Quoting from this NPR article on the subject: "I'm pretty sure fade outs did not occur during the days when 78s were used ... since in those days music was recorded directly to disc. Once ...


5

That would be a Talk Box (the track referenced in your questions is listed on the Wikipedia page). The gadget works by having a small loudspeaker linked by plastic tube to the musician's mouth, allowing the shaping of notes with the mouth, much as a singer would. There is a nice clip on YouTube of Peter Frampton using such a device.


4

Thunderstruck has some good hammer on and pull offs. https://www.youtube.com/watch?v=V5iTQf5PDyY


4

This is not a trill, but a tremolo or "trembling sound". It has the effect of a single sustained note, but it is caused by bowing back and forth very rapidly, and with very small motions.


3

It's known as a side-stick or cross-stick Google found this http://freewavesamples.com/side-stick or this set looks pretty comprehensive - http://www.freesound.org/people/quartertone/packs/8839/ I didn't test either of the above, I've got more drum samples here than I really know what to do with ;)


2

My drummer always called it a rimshot.


2

The Wikipedia article on Fade states that it is not possible to reliably identify the first modern recording to use fade. It also states, in relation to earlier recordings: By the early 1930s longer songs were being put on both sides of records, with the piece fading out at the end of Side One and fading back in at the beginning of Side Two. This is ...


2

Obviously, he was using guitar, but you are probably wondering what guitar effects he was using. The main effect for "Machine Gun" live was a pedal called a univibe. He also used a FuzzFace-style pedal and a wah-pedal. The univibe was invented as an attempt to imitate a Leslie Rotating speaker. In the picture (from Woodstock) below, the pedals are (from ...


2

This is called a modulation, or more informally (as David indicated) a "key change." It repeats some or all of the song as transposed to a new key. It is very common in some styles of music (for instance, gospel music), and usually is used to add excitement or interest to a repeated section. Some songs only have one, but others have multiple modulations. ...


2

Agree with Zach. In addition, some songs were played in concert Grateful Dead style with the song followed by an extended instrumental jam. In the record studio, the jam would be faded out just before a clam was played or the jam was running out of steam. When the intro is faded in, this is for the same reasons only in reverse order.


1

This was recorded before the use of click tracks. The bar count would have been used to ensure that overdubs and edits started at the correct place in the music.


1

If all you have is the audio it's all about experience and recognizing. You have to know the rapper's voice and be able to differ it from other rappers. With videos it's a bit easier, because you may have seen the rapper in a movie or in the news before and recognize his/her face. If you don't listen to a lot of rap you probably won't be able to recognize ...


1

The Handler - Muse has a huge bridge that Matt plays SOLELY with hammer-ons and pull-offs after the second chorus at 2:19.


1

My vote for the 1st use of 1-handed guitar tapping would be Harry DeArmond: http://en.wikipedia.org/wiki/Harry_DeArmond My vote for the 1st use of 2-handed guitar tapping would be Stanley Jordan: http://en.wikipedia.org/wiki/Stanley_Jordan


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